Another display mode reveals the length of film the result would occupy. Results can also be converted to approximate disk space required and an estimate of how long it would take to transfer that file to another computer based on your network connection. You’d write the following:Įvery calculation gives two results: one that preserves the total time (in the example above, that would be 00:01:12.00, or 1 minute, 12 seconds), and one that preserves the total number of frames (00:01:04.00, or 1 minute, 4 seconds if the end result is in NTSC format you can choose other formats from a pop-up menu). For example, let’s say you want to combine a clip of NTSC footage that’s 2 minutes long with a clip of PAL footage that’s 4 minutes long plus, you also want to split the combined result into 5 separate clips. More helpful is the capability to mix and match frame rates. Pomfort Frame Calculator - If you want more sophistication and are comfortable working with mathematical expressions, you’ll feel at home using Pomfort Frame Calculator, which can add, subtract, multiply, and divide timecode values. Video Disk Space Calculator is free and requires Mac OS X 10.3 or later it’s a 49K download. The utility also includes a handy printable chart that lists data rates for each format. The result can be viewed in megabytes or gigabytes. Choose a video format from a pop-up menu, enter the length of your footage in minutes, and click the Calculate button. Video Disk Space Calculator - If you’re just looking for a sense of how much disk space will be eaten by your video footage, turn to Video Disk Space Calculator, from Rabid Jackalope. The Hollywood Calculator Widget is a 27K download and requires Mac OS X 10.4 or later. Hollywood Calculator is a free utility for Mac OS X 10.2 or later, and it’s a 214K download. Choose from a wide range of video types, from consumer-grade DV NTSC to uncompressed 10-bit 1920 by 1080 60i high-definition footage. So, if you know you need to import 50 minutes of video, you can tell right away if it will fit on one of your drives. Lastly, Hollywood Calculator’s Record Time tab can tell you how much video can be stored on your connected hard drives. It will even tell you how many 1,000-foot rolls of film the result would occupy, and how much those rolls would weigh. Enter the number of feet you’re working with and hit Return to see how many frames that translates to and a timecode value of the duration. Clicking the Film tab enables you to choose a film type (such as 35mm or 16mm) and a frame rate. The stand-alone version includes two additional features. Then enter the second value you’re calculating and choose to add or subtract that from the first value. In addition to NTSC and PAL, you can choose frame rates of 29.97 (which is actually the true frame rate of NTSC applications such as iMovie round up in editing) or 24 (which is the rate for feature films). In either one, plug in a timecode value and choose the frame rate from a pop-up menu. Hollywood Calculator - Hollywood Calculator comes in two versions, a stand-alone application and a Dashboard widget. While working on my latest book, "iMovie HD 6 & iDVD 6 for Mac OS X: Visual QuickStart Guide" (which has just been released), I noted a few timecode calculators you can download that do exactly what I was looking for and more. But apparently, I wasn’t the only one with that notion. Unfortunately, I got distracted by other projects and the idea faded away. A calculator would let you quickly determine, for example, the total length of your movie if you added a clip that had a duration of 00:02:00.17 to NTSC video with a frame rate of 30 frames per second (FPS). So, for example, a timecode value of 00:32:17.15 translates to zero hours, 32 minutes, 17 seconds, and 15 frames.Įach second of digital video is comprised of 30 frames for the NTSC format or 25 frames in PAL format, which is what makes calculating timecode slightly tricky. Timecode is the way video is measured, and takes the format of hours:minutes:ames.
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winfo_visualsavailable( includeids=True ) Returns the X identifier for the visual for window. Returns one of the following strings to indicate the visual class for window: directcolor, grayscale, pseudocolor, staticcolor, staticgray, or truecolor. Returns one of the following strings to indicate the default visual class for window 's screen: directcolor, grayscale, pseudocolor, staticcolor, staticgray, or truecolor. Returns a decimal string giving the width of window's screen, in millimeters. Returns a decimal string giving the height of window's screen, in millimeters. Returns a decimal string giving the height of window's screen, in pixels. Returns a decimal string giving the depth of the root window of window's screen (number of bits per pixel). Returns a decimal string giving the number of cells in the default color map for window's screen. Returns a decimal string giving the y-coordinate, in the root window of the screen, of the upper-left corner of window's border (or window if it has no border). Returns a decimal string giving the x-coordinate, in the root window of the screen, of the upper-left corner of window's border (or window if it has no border). Color may be specified in any of the forms acceptable for a color option. Returns a list containing three decimal values in the range 0 to 65535, which are the red, green, and blue intensities that correspond to color in the window given by window. This is the value used by windows geometry manager to compute its geometry. Returns a decimal string giving window s requested width, in pixels. Returns a decimal string giving window s requested height, in pixels. If the mouse pointer is on the same screen as window, returns the pointer's y coordinate, measured in pixels in the screen's root window. If the mouse pointer is on the same screen as window, returns a list with two elements, which are the pointer's x and y coordinates measured in pixels in the screen's root window. If the mouse pointer is on the same screen as window, returns the pointer's x coordinate, measured in pixels in the screen's root window. The result is rounded to the nearest integer value for a fractional result, use winfo_fpixels(). Number may be specified in any of the forms acceptable to Screen Units, such as "2.0c" or "1i". Returns the number of pixels in window corresponding to the distance given by number. Returns the path name of window's parent, or an empty string if window is the main window of the application. The name is usually the name of the Tkinter method for the geometry manager, such as pack() or place(). Returns the name of the geometry manager currently responsible for window, or an empty string if window is not managed by any geometry manager. Returns 1 if window is currently mapped, 0 otherwise. On the Macintosh the value has no meaning outside Tkinter. On Unix platforms, this is the X window identifier. winfo_id() br> Returns a hexadecimal string giving a low-level platform-specific identifier for window. Returns the geometry for window, in the form width x height + x + y. The return value may be fractional for an integer value, use winfo_pixels()''. number' may be specified in any of the forms acceptable to Screen Units, such as "2.0c" or "1i". Returns a floating-point value giving the number of pixels in window corresponding to the distance given by number. Returns 1 if there exists a window named window, an error is returned if no such window exists. Returns a decimal string giving the depth of window (number of bits per pixel). Returns a decimal string giving the number of cells in the color map for window. It can take any of a number of different forms. If we click the button, the output will show the name of the widget on the screen.The winfo() method is used to retrieve information about windows managed by Tkinter. If we run the above code, it will display a window with a button. # Create an instance of tkinter frame or windowĬanvas=Canvas(win, width=500, height=300)īutton(win, text="Click", command=on_click).pack() We can print the name by using it inside the print() function. If we want to get a widget's name in an event, then it can be achieved by using event.widget keywords inside a function. Let us suppose that we have defined some widgets in our application. Tkinter provides widgets that can be used for constructing the visual and functional representation of the application. Tkinter is a Python library that is used to create and develop functional GUI-based applications. What is the duration of Everytime We Touch? Who is the singer of Everytime We Touch?Įverytime We Touch is sung by The 80' s Allstars.Įverytime We Touch is sung by The 80' s Allstars. Risavy.Įverytime We Touch is composed by P. Who is the music director of Everytime We Touch?Įverytime We Touch is composed by P. Which album is the song Everytime We Touch from?Įverytime We Touch is a english song from the album 80er & 90er Musik Box.Įverytime We Touch is a english song from the album 80er & 90er Musik Box. ℗ 2017 Alga Buena Producciones FAQs for Everytime We Touch When was Everytime We Touch released?Įverytime We Touch is a english song released in 2017.Įverytime We Touch is a english song released in 2017. Can't you feel my heart beat fast, I want this to last. And every time we kiss, I swear I could fly. 'Cause every time we touch, I get this feeling. And every time we kiss, I reach for the sky. 'Cause every time we touch, I feel the static. The good and the bad times, we've been through them all. Your arms are my castle, your heart is my sky. Forgive me my weakness, but I don't know why Without you it's hard to survive. I still hear your voice, when you sleep next to me. If we know that the random numbers generated will fall in the interval then we'd like each number in that interval to have an equal chance of being chosen - otherwise even though theoretically we have a lot of numbers to be chosen in practice this will be much smaller. Nothing that special here - we want something that can generate a reproducible large quantity of random numbers fast and without taking up too much memory, particularly if we plan on having many of them running in various threads. Which then begs the next question: What properties of PRNGs are desirable?
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We are a Data Controller of your information. General Data Protection Regulation (GDPR) If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us through email here. This Privacy Policy document contains types of information that is collected and recorded by OnTheRadio and how we use it. We're delighted to welcome to the Absolute Radio family! Tim is bringing his to the radio, Sunday night's from 10PM! □ #TimsTwitterListeningParty /Dji9P89gU7Īt RadioToday, accessible from, one of our main priorities is the privacy of our visitors. The series will also be made available as a podcast. “It fits perfectly with Absolute Radio’s specialist and storytelling strategy, and we can’t wait to work with Tim to get the show on-air.” Giving audiences the chance to listen to the music and conversation while engaging with other fans on social media ties everything together. We’ve got some ace albums and brilliant guests lined up.”Ībsolute Radio’s Content Director, Paul Sylvester said: “Tim’s Listening Party has become a phenomenon. Tim Burgess said “After three years online, it’s exciting to be bringing The Listening Party to the radio airwaves with Absolute Radio. Guests lined up for the show, which will be broadcast from 10pm-midnight, include The Kinks who will talk about their collections album, ‘The Journey Part 1’ and Fall Out Boy talking about forthcoming new album, ‘So Much (for) Stardust’ plus more to be announced. Each week Tim will be joined by a different guest as they share stories and insights from one of their albums. With Combo dead and their remaining dealers backing out, Walt and Jesse turn to Saul for help. With only $16,000 remaining of the meth money after the numerous setbacks, he and Jesse spend several days in the desert cooking 38 pounds of meth to sell off before Walt dies. Later, Walt becomes worried when he sees a bright white patch within the generally dark hues on the latest PET/CT scan of his lungs. The blue meth was thus distributed solely in Albuquerque by Jesse's street dealers, but more problems arise as their enterprise expands with dealers working for them. The methylamine allows them to bypass the difficulty of acquiring pseudoephedrine, and the new method gives their product a blue color while continuing to be highly pure and chemically potent.įollowing Tuco's death, Walt and Jesse decide to move their business into new territory. The two begin to expand their operations by stealing a large drum of methylamine, thereby allowing them to produce large quantities of meth for Tuco. Walt and Jesse cooking Blue Sky in the early daysĪfter experiences in the meth trade with Krazy-8 and Emilio, Walter and Jesse eventually decide to expand their drug operation by selling their product to Tuco Salamanca, a powerful but psychopathic drug distributor. The name comes from the distinctive light blue coloration of the meth crystals, a result of the chemical formula Walt devised to get around sales restrictions on pseudoephedrine. The meth was the signature of Walter and Jesse, and the building block of their drug empire which eventually became the largest meth operation in American history. Victor also apparently memorized the method to cook Blue Sky by watching Walt and Jesse, though he never finished the batch, and the purity was never measured.ĭespite having limited success during its initial amateur manufacture by Walter White and Jesse Pinkman, the blue meth eventually became widespread for its remarkable quality and purity, becoming popular across the United States and eventually even reaching as far as Europe. There were a few temporary accomplices who helped Jesse and Walter cook with the blue meth formula: Gale Boetticher and Todd Alquist. "Blue Sky" (also known as Big Blue, Blue Magic, Fring's Blue, or simply Blue) was the street name coined for the notoriously potent and 99.1% chemically pure crystal methamphetamine manufactured by Walter White and Jesse Pinkman. Picture of potent meth made by Walter Hartwell White. Tuco: " What is this? This is blue." Walter: " We used a different chemical process, but it is every bit as pure." Jesse: " It may be blue, but it's the bomb." ― Walter and Jesse presenting their product to drug kingpin Tuco Salamanca. Because of its popularity, there’s lots of support on various audio and home theater forums. However, for minimal effort and expense, the user can perform a predetermined test suite-noise, total harmonic distortion (THD), intermodulation (IM), swept THD and IM, and crosstalk-in a few seconds with the press of a button. It has a limited range of test signals, limited flexibility, and is not easy to customize. Rightmark Audio Analyzer (RMAA) is a popular freeware package, originally designed to benchmark sound card performance. Full reviews of each of these could fill entire articles (and perhaps will!), but I’ll give you some brief impressions after spending some time with each of these particular packages. As before, this isn’t a survey of all the available sound card-compatible software, but rather a sample of a few options that are representative of what’s out there. There are various freeware latency checkers - I have been happy with LatencyMon (pictured here).Ĭhoice of software is likewise broad, with a wide range of trade-offs between flexibility, userfriendliness, and cost. It is generally not a big issue in most audio measurements, but if you have a measurement where synchronous operation is critical, you should at least be aware of it. It’s a function of the computer’s speed and memory, as well as the specific software and hardware package used. That can certainly disrupt timing in overdubbing, for example. Think of it as a time delay while the computer is passing information from one place to another. “Latency” is a big deal for music production. Get a good charge then unplug your power brick. Much effort in reducing noise and ground loops can be avoided if the computer has no connection to the mains. If you’re using a laptop, the battery is your friend. If your computer needs to be used for other tasks, it may help to set up a dedicated boot profile which will disable any wireless or LAN adapters, and mail or antivirus programs on start-up. Having no interrupts or interference from wireless or antivirus or other unnecessary programs running in the background can save a lot of measurement frustration. Ensure that whatever software/hardware you use takes advantage of this!Ī dedicated computer is a good idea. They bypass the Windows layers between the sound card and the measurement software. :)Īudio Stream Input/Output (ASIO) drivers go a long way in helping you obtain top performance. Windows 10 will be released shortly (as of the time of this writing) and it will be interesting to see if it makes the audio amateur’s experience easier or more difficult. Reputedly, Windows 8.1 operates nearly identically and is probably easier to find in a new computer. At the moment, I have Windows 7 running on two different laptops and a desktop, and it’s been easy for even a computer novice such as me to get it to do what I want. As an OS, the support by different software and sound card packages is uneven. For those of us who don’t, it’s easy to spend hours wrestling with different menus to get the sound from where we want to generate it to where we want to measure it without molesting it too badly. XP, although commercially a dead issue, seems to be favored by people who have a good knowledge of operating systems. Photo 1: The M-Audio 192 PCI sound card features high-definition 192 kHz sampling rate, digital I/O, balanced analog I/O, and That being the case, if a 21% short interest is sufficient to create conditions for a squeeze, and if you believe that the media and various funds are determined to badmouth AMC, wouldn’t it make sense to start buying CNK shares and attempt to engineer a squeeze there instead?Ī lot of apes see AMC and Cinemark as competitors, which is true in only the loosest sense. AMC, in contrast, can’t justify on fundamentals even the share price it has right now. On fundamentals, it can justify a valuation in the high $20s, nearly double its current $16.50 price. Here’s the thing, though: while neither company can reasonably claim a valuation of $100 on fundamentals, Cinemark is a traditionally profitable company with a stable outlook that just posted profits in Q4. If AMC is a short squeeze candidate with potential to reach $100 because it has a short interest of 21%, then the same must be true of Cinemark, which is priced around the same value per share and also has a short interest of about 21%. Read: Strategist Says Mother of All Short Squeezes is Here The fight for a fair market continues in 2023.įor the ape community, this is more than just a short squeeze play. Once retail investors got in and saved the company, the community uncovered a number of market manipulation tactics that allowed hedge funds to prevent the stock’s share price from soaring. Hedge funds took this opportunity to overleverage their short positions in the stock, betting it would close forever. Market manipulation continues to be a threat to every retail investor in the market.ĪMC Entertainment was on the brink of extinction, it was about to go bankrupt. Related: These Two Signs Will Tell You a Short Squeeze is Over Latest Market Regulation/ProposalsĪMC stock had multiple chances to squeeze in 2021, however, hedge funds always found a loophole that would prevent them from reporting information, or trading stock in the lit exchange. The community has always been a beacon for change.Īpes will need to voice market concerns to elevate awareness. One of the biggest problems the community faces today is regulators not protecting retail investors against the predatorial strategies from hedge funds. The AMC community has not had a problem holding or buying the stock.
Patrick is co-head of NEA’s Seed-stage investing practice and founding partner of NEA and Harvard’s Experiment Fund (ĬOO at. General Partner Andreessen Horowitz, Counsyl Cofounder, Stanford Startup MOOC, Stanford Bitcoin Group, MIT TR35, F50, Stanford BS/MS/PhD EE & MS ChemE. International Growth & Product Management Managing Director Slow Ventures Seed Fund. Investor Lane, experience at KPCB, Google, eBay/PayPal Partner at WiL, a venture capitalist to bridge US and Japan, ex-Digital Garage.įounder & CEO, 121673 Sundeep Peechu Investor Studied at 138345 Akinori "Aki" Koto Investor.Early employee at (sold to MSFT) and Vermeer Technology (sold to MSFT).ĭigital media exec/Investor - EA, Turner, Advisor Glu, TIVO, 156914 Mike Rothenberg Investor ID 169245 John Wolthuis 148253 Jonathan Katzman InvestorĬhief Product Officer at Startup guy, investor & advisor. Also an angel investor in and adviser to over 35 start-ups. Managing Director in the Finanical Services Practice (18-years). Studied at 159106 Wes Bashiti Investorġst startup out of high school.Investor at NEA & formerly BVP, alum personally co-invested alongside BVP or NEA in Forbes 30u30 Studied at 198401 Tom Fallows Investor.ID 160549 David Chao Systems, Silicon Energy now Inc, i2 Technologies now JDA Software, Cybersource now VISA, Stanley Partner at MESA+, Managing Partner at MESA Investor in early and growth stage technology companies across 5 continents. Partner at Founded (Acquired by 197934 Joe Gebbia InvestorĬo-founder 211439 Peter Kellner Investor Business & tech background, Capital, Brothers). Managing Partner Capital, Formerly and, Investment Banker, MBA 206488 Dallas Kashuba Investorįounder Musician, Interested in talking to music startups, Investor 167780 Ali Liaqat Investor Partner Founding team (acq by early (acq by MON), angel investor & advisor, Board Member Way Founder and CCO Managed 2 European Internet startups (>200 employees, >100 mio users, profitable, VC funded).Ĭo-founder and CTO of SlideShare. I support localization for portfolio companies while helping run one of JP's leading incubators, OnLab.Įntrepreneur and angel investor. Partner and Co-founder at Founding CFO Studied at 488314 Takahiro Shoji Investorīased in Japan, hands-on team manager at DG Incubation. From the earliest stages, partnered, funded and supported YouTube, Nimble Storage, Quid, Practice Fusion, Stem CentRx, Bracket Computing and many more.įounded CastTV (acquired by Tribune) and FileFish (acquired by Oracle). FundersClub Angel Panel.įounder and Partner with Artis Ventures. Track record meeting aggressive revenue targets in startup and F500 companies. Investments and Finance at Schox Patent GroupĪlliances at Salesforce. worked at a few startups -> grad school -> consulting -> Google. World Economic Forum Young Global Leader. Investment Partner at Innovation Endeavors, Product & Operations at Gigwalk, Investor at Bain Capital Ventures, Business/Tech Backgroundįounder TIME 100 most influential people. If you set it to automatic, Mullvad won't use Shadowsocks if everything is working fine. If this all sounds hard to set up, don't worry-Mullvad uses it right out of the box! If you look in the Advanced settings in Mullvad, you'll see a setting called "Bridge Mode." This is the Shadowsocks implementation and it's set to automatically turn on by default. By using Shadowsocks, you have your own proxy server which makes it a lot harder for a firewall to find. If a firewall owner wants to block specific VPNs, it can look at how it operates and add it to the blacklist. So, how is Shadowsocks different from using the VPN by itself? The key here is that Shadowsocks has no affiliation to the VPN. Some private browsers use Shadowsocks to hide their tracks. Shadowsocks achieves this by encrypting the data you're sending and passes it to a proxy server, which then sends your data to the VPN service. Mullvad offers a Shadowsocks proxy, similar to Surfshark ( our review), which helps VPNs bust through restrictive firewalls, like the Great Firewall of China. Mullvad's Shadowsocks Implementation: Best VPN for China? If none of them work, you can quickly move to New York and try the servers there. If a server in Dallas, Texas can't get through a US-based geo-block, you can try Dallas' other servers. This wide range of servers makes it good for cracking geo-locations. You can then pay the monthly fee under this number to start the service. By clicking "Generate Account" on the main page, you're instantly given a number to use as your login code. You get a number and use that as your personal identifier. How Do You Make a Mullvad Account?Īs we discussed, Mullvad doesn't use accounts. Unfortunately, while you can buy months in bulk, you get no discount for doing so. This is cheaper than the $7-9 some VPNs charge per month. It's at a very agreeable €5.00 a month-that's around $5.50 in USD. These payments can be made using card, PayPal, cash, bank transfer, or even Bitcoin.Īnother aspect that makes Mullvad unique is its price. You can subscribe if you like, but the option for one-off payments is available. For one, you don't need to set up a recurring subscription to use Mullvad. Mullvad's payment plans are unique compared to other VPN providers. Sweden however, is located in the Nine-Eyes Alliance, which means they can be compelled to turn over data to the Swedish government and, by extension, any of their intelligence partners. Neither owner has any shady past or things to hide, but even if they did, Mullvad's unique login method makes this irrelevant. They even have a website called Am I Mullvad that tests if your VPN's connection is secure.įredrik Strömberg and Daniel Berntsson own the company, and they run a small team of developers who work on Mullvad. "Amagicom" in Swedish means "Free Communication," which fits their pro-privacy stance. Mullvad is owned by Amagicom AB, located in Sweden. This is an important step to take, as many VPNs are owned by either the same companies or companies with shady ownership and untrustworthy backgrounds. With the formalities out of the way, let's take a look at who is behind Mullvad. Mullvad VPN doesn't have any additional extras that make it suitable for high-risk use, but privacy features and ease of use make it a fine tool for anyone who wants to mask their presence on the internet. |